๐ŸŽจ Gustav Klimt : Tableaux, Vie et Hรฉritage du Maรฎtre du Symbolisme

๐ŸŽจ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ : ืฆื™ื•ืจื™ื, ื—ื™ื™ื ื•ืžื•ืจืฉืช ืฉืœ ื”ืืžืŸ ื”ืกื™ืžื‘ื•ืœื™ืกื˜ื™

ืžื‘ื•ื

ื‘ื™ืŸ ื”ืฉืžื•ืช ื”ื’ื“ื•ืœื™ื ื‘ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืืžื ื•ืช, ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ืชื•ืคืก ืžืงื•ื ื™ื™ื—ื•ื“ื™. ืฆื™ื™ืจ ืื•ืกื˜ืจื™ ืฉื ื•ืœื“ ื‘ืžืื” ื”-19, ื”ื•ื ืžื•ื›ืจ ื›ืื—ืช ื”ื“ืžื•ื™ื•ืช ื”ืžืจื›ื–ื™ื•ืช ืฉืœ ื”ืกื™ืžื‘ื•ืœื™ื–ื ื”ืื™ืจื•ืคื™ ื•ืฉืœ ื”ืกื™ืงืฆื™ื” ื”ื•ื•ื™ื ืื™ืช, ืชื ื•ืขื” ืืžื ื•ืชื™ืช ืฉื”ื•ื ืชืจื ืœื”ืงืžืชื”. ื”ื™ืงื•ื ืฉืœื• ืขืฉื™ืจ ื‘ืกืžืœื™ื, ืงื™ืฉื•ื˜ื™ื ืžื•ื–ื”ื‘ื™ื, ื“ืžื•ื™ื•ืช ื ืฉื™ื•ืช ืžื”ืคื ื˜ื•ืช ื•ื”ืจื›ื‘ื™ื ืฉืœ ื™ื•ืคื™ ื”ื™ืคื ื•ื˜ื™.

ื”ืฆื™ื•ืจ ยซ ื”ื ืฉื™ืงื” ยป, ื™ืฆื™ืจื” ืื™ื™ืงื•ื ื™ืช ืฉืœ ืงืœื™ืžื˜, ื”ื•ื ื›ื™ื•ื ืื—ื“ ื”ืฆื™ื•ืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ื‘ืขื•ืœื. ื”ืชืžื•ื ื” ื”ืื™ืงื•ื ื™ืช ื”ื–ื•, ืฉื‘ื” ื–ื”ื‘ ื•ืกื ืกื•ืืœื™ื•ืช ืžืฉืชืœื‘ื™ื ื‘ื—ื™ื‘ื•ืง ื ืฆื—ื™, ืžืžื—ื™ืฉื” ื‘ืฆื•ืจื” ืžื•ืฉืœืžืช ืืช ื”ืื•ืจื” ื”ื™ื™ื—ื•ื“ื™ืช ืฉืœ ื”ืืžืŸ. ืื‘ืœ ืงืœื™ืžื˜ ื”ื•ื ื”ืจื‘ื” ื™ื•ืชืจ ืžืืฉืจ ื™ืฆื™ืจืช ืžื•ืคืช ืื—ืช. ื–ื”ื• ืกื’ื ื•ืŸ ืฉืœื, ื—ื–ื•ืŸ ืืžื ื•ืชื™ ืฉืžืžืฉื™ืš ืœื”ืงืกื™ื ื•ืœื”ืฉืคื™ืข ืขืœ ื“ื•ืจื•ืช ืฉืœืžื™ื.

๐Ÿง‘๐ŸŽจ ืžื™ ื”ื™ื” ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ?

ื‘ืžืืžืจ ื–ื”, Alpha Reproduction ืžื–ืžื™ื ื” ืืชื›ื (ืœื—ื“ืฉ) ืœื’ืœื•ืช ืžื—ื“ืฉ ืืช ื”ื—ื™ื™ื, ืืช ื”ืฆื™ื•ืจื™ื ื”ืžืจื›ื–ื™ื™ื ื•ืืช ื”ืžื•ืจืฉืช ื”ืืžื ื•ืชื™ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜. ื™ื—ื“, ื ื—ืงื•ืจ ืืช ื”ืกื•ื“ื•ืช ืฉืœ ื”ืืžื ื•ืช ืฉืœื•, ืืช ื”ืžืงื•ืžื•ืช ืฉื‘ื”ื ืืคืฉืจ ืœื”ืขืจื™ืฅ ืืช ื”ื‘ื“ื™ื ืฉืœื•, ืืช ื˜ื›ื ื™ืงื•ืช ื”ื™ืฆื™ืจื” ืฉืœื•, ื›ืžื• ื’ื ืืช ื”ืกื™ื‘ื•ืช ืœืคื•ืคื•ืœืจื™ื•ืช ื”ืขืฆื•ืžื” ืฉืœื• ื’ื ื”ื™ื•ื. ื ืจืื” ื’ื ื›ื™ืฆื“ ื”ื™ืฆื™ืจื•ืช ืฉืœื• ื™ื›ื•ืœื•ืช ืœื”ืื™ืจ ืคื ื™ื ื‘ืขื–ืจืช ื”ืขืชืงื•ืช ื ืืžื ื•ืช ื•ืื™ื›ื•ืชื™ื•ืช.

๐Ÿง‘๐ŸŽจ ืžื™ ื”ื™ื” ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ?

ืžืชื™ ื•ืื™ืคื” ื ื•ืœื“ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜?

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื ื•ืœื“ ื‘-14 ื‘ื™ื•ืœื™ 1862 ื‘ื‘ืื•ืื’ืืจื˜ืŸ, ืฉื›ื•ื ื” ื”ืžืžื•ืงืžืช ื‘ืžืขืจื‘ ื•ื™ื ื”, ื‘ืื•ืกื˜ืจื™ื”. ื”ื•ื ื ื•ืœื“ ืœืžืฉืคื—ื” ืฆื ื•ืขื”, ืื‘ื™ื•, ืืจื ืกื˜ ืงืœื™ืžื˜, ื”ื™ื” ื—ืงืงืŸ ืขืœ ืžืชื›ืช, ืžื” ืฉืกื‘ื™ืจ ืœื”ื ื™ื— ื”ืฉืคื™ืข ืขืœ ื”ืจื’ื™ืฉื•ืช ืฉืœ ื’ื•ืกื˜ื‘ ืœื—ื•ืžืจื™ื, ื˜ืงืกื˜ื•ืจื•ืช ื•ืงื™ืฉื•ื˜ื™ื. ื”ื•ื ื’ื“ืœ ืžื•ืงืฃ ื‘ืฉืฉืช ื”ืื—ื™ื ื•ื”ืื—ื™ื•ืช ืฉืœื•, ื‘ื”ืงืฉืจ ืžืฉืคื—ืชื™ ืฉื‘ื• ืœืืžื ื•ืช ื”ื™ื™ืชื” ื—ืฉื™ื‘ื•ืช ืจื‘ื”.

ืžื”ื™ ื”ืœืื•ืžื™ื•ืช ืฉืœ ืงืœื™ืžื˜?

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื”ื™ื” ืื•ืกื˜ืจื™. ื”ื•ื ื‘ื™ืœื” ืืช ืจื•ื‘ ื—ื™ื™ื• ื‘ื•ื•ื™ื ื”, ื‘ื™ืจืช ื”ืื™ื ื˜ืœืงื˜ื•ืืœื™ืช ื•ื”ืืžื ื•ืชื™ืช ืฉืœ ืžืจื›ื– ืื™ืจื•ืคื” ื‘ืกื•ืฃ ื”ืžืื” ื”-19. ืขื™ืจ ื–ื•, ืฉื”ื™ื™ืชื” ื‘ืžืจื›ื– ื”ืชืคืจืฆื•ืช ืชืจื‘ื•ืชื™ืช, ืฉื™ื—ืงื” ืชืคืงื™ื“ ืžืจื›ื–ื™ ื‘ืคืจื™ื—ื” ืฉืœ ื™ืฆื™ืจืชื•.

ืžื”ื™ ื”ืœืื•ืžื™ื•ืช ืฉืœ ืงืœื™ืžื˜?

ืœืื™ื–ื” ืชื ื•ืขื” ืืžื ื•ืชื™ืช ืฉื™ื™ืš ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜?

ืงืœื™ืžื˜ ืงืฉื•ืจ ืœืฉื ื™ ื–ืจืžื™ื ืžืจื›ื–ื™ื™ื :

ื”ืกื™ืžื‘ื•ืœื™ื–ื, ืชื ื•ืขื” ืืžื ื•ืชื™ืช ื•ืกืคืจื•ืชื™ืช ื”ืžืขื“ื™ืคื” ืืช ื”ื”ื–ืžื ื” ื”ืคื•ืื˜ื™ืช, ื”ื”ืฆืขื” ื•ื”ื™ื™ืฆื•ื’ ืฉืœ ื”ื‘ืœืชื™ ื ืจืื” ืขืœ ืคื ื™ ื”ืžืฆื™ืื•ืช ื”ื’ืœื•ื™ื”. ืงืœื™ืžื˜ ื”ืฉืชืžืฉ ื‘ืกืžืœื™ื ื›ื“ื™ ืœื‘ื˜ื ื ื•ืฉืื™ื ืื•ื ื™ื‘ืจืกืœื™ื™ื ื›ืžื• ื—ื™ื™ื, ืžื•ื•ืช, ืื”ื‘ื” ื•ื ืฉื™ื•ืช.

ื”ืกื›ืกื•ืš ื”ื•ื•ื™ื ืื™, ืชื ื•ืขื” ืฉื”ื•ื ืžื™ื™ืกื“ ื™ื—ื“ ืขื ืืžื ื™ื ืื—ืจื™ื ื‘ืฉื ืช 1897, ื”ืžืคืจื™ื ืืช ื”ืืงื“ืžื™ื”. ื”ืื•ื•ื ื’ืจื“ ื”ืืžื ื•ืชื™ ื”ื–ื” ืงื™ื“ื ื—ื•ืคืฉ ืžื•ื—ืœื˜ ื‘ื™ืฆื™ืจื” ื•ืื™ื—ื•ื“ ื‘ื™ืŸ ื”ืืžื ื•ื™ื•ืช (ืฆื™ื•ืจ, ืื“ืจื™ื›ืœื•ืช, ืขื™ืฆื•ื‘, ืžืœืื›ื”โ€ฆ).

ื”ืกื™ืงืฆื™ื” ื”ื•ื•ื™ื ืื™ืช ืงืœื™ืžื˜

ืœืžื” ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ืžืคื•ืจืกื?

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ืžื•ื›ืจ ื”ื™ื•ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื ืขื‘ื•ืจ:

ื”ืกื’ื ื•ืŸ ื”ื•ื•ื™ื–ื•ืืœื™ ื”ื™ื™ื—ื•ื“ื™ ืฉืœื•, ื”ืžื•ื‘ื—ืŸ ื‘ืฉื™ืžื•ืฉ ื‘ืขืœื™ื ืžื–ื”ื‘, ื‘ื“ื•ื’ืžืื•ืช ื“ืงื•ืจื˜ื™ื‘ื™ื•ืช ืžืขื•ื“ื ื•ืช ื•ื‘ืฆื•ืจื•ืช ืื•ืจื’ื ื™ื•ืช.

ื“ื™ื•ืงื ืื•ืช ื”ื ืฉื™ื ืฉืœื•, ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ื ื•ืฉืื™ื ื—ื•ืชื ืฉืœ ืกื ืกื•ืืœื™ื•ืช, ืžืกืชื•ืจื™ืŸ ื•ืขื•ืฆืžื”.

ืชืคืงื™ื“ื• ื›ืžื‘ืฉืจ ืฉืœ ื”ืืžื ื•ืช ื”ืžื•ื“ืจื ื™ืช, ื‘ืžื™ื•ื—ื“ ื‘ื“ืจื›ื• ืœืžื–ื’ ืืช ื”ืกื™ืžื‘ื•ืœื™ื–ื, ื”ืืžื ื•ืช ื”ื“ืงื•ืจื˜ื™ื‘ื™ืช ื•ื”ื”ืฉืคืขื•ืช ื”ื‘ื™ื–ื ื˜ื™ื•ืช.

ื‘ื–ื›ื•ืช ื”ืื•ืžืฅ ื•ื”ืขื™ื“ื•ืŸ ืฉืœื•, ืงืœื™ืžื˜ ื—ืงืง ืขืžื•ืง ื‘ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืืžื ื•ืช ื”ืื™ืจื•ืคื™ืช. ื”ื™ืฆื™ืจื•ืช ืฉืœื• ืžืžืฉื™ื›ื•ืช ืœืจืชืง ืืช ื—ื•ื‘ื‘ื™ ื”ืืžื ื•ืช ื‘ืจื—ื‘ื™ ื”ืขื•ืœื.

ืœืžื” ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ืžืคื•ืจืกื?

ย 


๐Ÿ–ผ๏ธ ื”ืฆื™ื•ืจื™ื ื•ื”ืคื ื™ื ื™ื ื”ืžื•ื›ืจื™ื ื‘ื™ื•ืชืจ ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜

ื™ืฆื™ืจืชื• ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื”ื™ื ืจื—ื‘ื”, ืขืฉื™ืจื” ื•ืžืกื•ืžื ืช ืขืžื•ืงื•ืช ืขืœ ื™ื“ื™ ืืกืชื˜ื™ืงื” ื™ื™ื—ื•ื“ื™ืช. ื—ืœืง ืžื”ืฆื™ื•ืจื™ื ืฉืœื• ื”ืคื›ื• ืœืื™ืงื•ื ื•ืช ื‘ืœืชื™ ื ืžื ืขื•ืช ื‘ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืืžื ื•ืช, ื™ื“ื•ืขื•ืช ื”ืจื‘ื” ืžืขื‘ืจ ืœืžืขื’ืœ ื”ื—ื•ื‘ื‘ื™ื. ื”ื ื” ืžื‘ื—ืจ ืžื”ื™ืฆื™ืจื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ื™ื•ืชืจ ืฉืœ ื”ืืžืŸ, ืฉืžืขื™ื“ื•ืช ืขืœ ื’ืื•ื ื™ื•ืชื• ื”ื•ื•ื™ื–ื•ืืœื™ืช ื•ืขืœ ื—ื–ื•ื ื• ื”ืกื™ืžื‘ื•ืœื™ ื”ืขืžื•ืง.

๐Ÿ–ผ๏ธ ื”ืฆื™ื•ืจื™ื ื•ื”ืคื ื™ื ื™ื ื”ืžื•ื›ืจื™ื ื‘ื™ื•ืชืจ ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜

๐ŸŽจ ื”ื ืฉื™ืงื” (1907โ€“1908)

ื‘ืœื™ ืกืคืง ื”ืฆื™ื•ืจ ื”ืžืคื•ืจืกื ื‘ื™ื•ืชืจ ืฉืœ ืงืœื™ืžื˜, Le Baiser ืžื™ื™ืฆื’ ื–ื•ื’ ืžื—ื•ื‘ืง, ืฉื˜ื•ืฃ ื‘ืžื•ื˜ื™ื‘ื™ื ืžื•ื–ื”ื‘ื™ื ื•ื‘ืฆื•ืจื•ืช ื’ื™ืื•ืžื˜ืจื™ื•ืช. ื™ืฆื™ืจื” ื–ื•, ืกืžืœ ืœืชืฉื•ืงื” ื•ืœื—ืžืœื”, ืžื’ืœืžืช ื‘ืฆื•ืจื” ืžื•ืฉืœืžืช ืืช ื”ืชืงื•ืคื” ื”ืžื•ื–ื”ื‘ืช ืฉืœ ืงืœื™ืžื˜. ืฉืžื•ืจื” ื‘ืžื•ื–ื™ืื•ืŸ ื‘ืœื•ื•ื“ืจ ื‘ื•ื•ื™ื ื”, ื”ื™ื ืžื•ืฉื›ืช ื›ืœ ืฉื ื” ืืœืคื™ ืžื‘ืงืจื™ื.

ื”ื ืฉื™ืงื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŽญ ื™ื”ื•ื“ื™ืช I (1901) ื•ื™ื”ื•ื“ื™ืช II (1909)

ื‘ื“ื™ื•ืง ื‘ืฉื ื™ ื”ืคื•ืจื˜ืจื˜ื™ื ื”ืœืœื•, ืงืœื™ืžื˜ ืฉื•ืื‘ ื”ืฉืจืื” ืžื”ื“ืžื•ืช ื”ืžืงืจืื™ืช ืฉืœ ื™ื”ื•ื“ื™ืช, ืื™ืฉื” ื—ื–ืงื” ื•ืืžื‘ื™ื•ื•ืœื ื˜ื™ืช. ื“ืจืš ื™ื”ื•ื“ื™ืช I, ื”ื•ื ืžื™ื™ืฆื’ ืกื ืกื•ืืœื™ื•ืช ืžื˜ืจื™ื“ื” ื•ืžื•ืฆื”ืจืช, ื”ืžื’ื•ืœืžืช ื‘ืžื‘ื˜ ื”ืžืืชื’ืจ ืฉืœ ื”ื’ื™ื‘ื•ืจื”. ื™ืฆื™ืจื•ืช ืืœื• ื›ื‘ืจ ืžื‘ืฉืจื•ืช ืขืœ ืชืคื ื™ืช ืœื™ื™ืฆื•ื’ ื—ื•ืคืฉื™ ื™ื•ืชืจ ืฉืœ ื”ื ืฉื™ื•ืช.

ื™ื”ื•ื“ื™ืช ืขื ืจืืฉื• ืฉืœ ื”ื•ืœื•ืคืจื ืก - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒฉ๏ธ ื“ื ืื” (1907โ€“1908)

Reprรฉsentation mythologique dโ€™une femme fรฉcondรฉe par Zeus, cette ล“uvre cรฉlรจbre la sensualitรฉ fรฉminine dans un tourbillon dorรฉ. Danaรฉ est peinte dans une posture intime, repliรฉe sur elle-mรชme, entre abandon et extase.ื“ื ืื” 1907 - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒณ ืขืฅ ื”ื—ื™ื™ื (1905โ€“1909)

Crรฉรฉ dans le cadre du Palais Stoclet, ร  Bruxelles, ce panneau dรฉcoratif met en scรจne un arbre stylisรฉ aux spirales mystรฉrieuses, reprรฉsentant le lien entre la terre, le ciel et le monde spirituel. Lโ€™ล“uvre est un chef-dโ€™ล“uvre du symbolisme dรฉcoratif.ืขืฅ ื”ื—ื™ื™ื ืฉืœ ื•ื™ืœืช ืกื˜ื•ืงืœื˜ - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ’ซ ื“ื™ื•ืงืŸ ืฉืœ ืื“ืœื” ื‘ืœื•ืš-ื‘ืื•ืืจ I (1907) โ€“ ื’ื ื ืงืจื ื”ืื™ืฉื” ื‘ื–ื”ื‘

Ce portrait somptueux, richement ornรฉ, est devenu mondialement cรฉlรจbre aprรจs avoir รฉtรฉ au cล“ur dโ€™une affaire de restitution dโ€™ล“uvres spoliรฉes pendant la Seconde Guerre mondiale. Il incarne lโ€™apogรฉe du style dorรฉ de Klimt.ื“ื™ื•ืงืŸ ืฉืœ ืื“ืœ ื‘ืœื•ืš-ื‘ืื•ืืจ I - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

โšฐ๏ธ ื”ื—ื™ื™ื ื•ื”ืžื•ื•ืช (1910โ€“1915)

ืื—ื“ ืžื”ืฆื™ื•ืจื™ื ื”ืื™ื ื˜ืจืืงื˜ื™ื‘ื™ื™ื ื‘ื™ื•ืชืจ ืฉืœ ืงืœื™ืžื˜. ื”ื•ื ืžืฆื™ื‘ ื‘ื ื™ื’ื•ื“ ืฉื ื™ ืงื˜ื‘ื™ื ืฉืœ ื”ืงื™ื•ื ื”ืื ื•ืฉื™: ื”ืžืชื™ืงื•ืช ืฉืœ ื”ื—ื™ื™ื ืžืฆื“ ืื—ื“, ื•ื“ืžื•ืชื” ื”ืืคืœื” ืฉืœ ื”ืžื•ื•ืช ืžื”ืฆื“ ื”ืฉื ื™. ืฆื™ื•ืจ ื–ื” ื–ื›ื” ื‘ืžืกืคืจ ืคืจืกื™ื, ื›ื•ืœืœ ืคืจืก ื‘ืจื•ืžื ื‘ืฉื ืช 1911.ื”ืžื•ื•ืช ื•ื”ื—ื™ื™ื - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ‘ฉ๐Ÿ‘ง ืฉืœื•ืฉืช ื’ื™ืœืื™ ื”ืื™ืฉื” (1905)

Allรฉgorie du cycle de la vie fรฉminine, cette ล“uvre illustre la maternitรฉ, la jeunesse et la vieillesse. Elle tรฉmoigne de la vision philosophique et sensible de Klimt.ืฉืœื•ืฉืช ื’ื™ืœืื™ ื”ืื™ืฉื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ–Œ๏ธ ื™ืฆื™ืจื•ืช ื ื•ืกืคื•ืช ื‘ื•ืœื˜ื•ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜

๐Ÿงช ื”ื™ื’ื™ืื” (ืคืจื˜ ืžื”ืจืคื•ืื”)
ืืœื’ื•ืจื™ื” ืฉืœ ื‘ืจื™ืื•ืช ื•ืจืคื•ืื”, ื”ื™ื’ื™ื” ืžื™ื•ืฆื’ืช ื›ื ื–ื™ืจื” ืขื•ืฆืžืชื™ืช, ืžื•ืงืคืช ื‘ืกืžืœื™ื ืื–ื•ื˜ืจื™ื™ื. ืคืจื˜ ื–ื” ืžืขื™ื“ ืขืœ ื”ืขื ื™ื™ืŸ ืฉืœ ืงืœื™ืžื˜ ื‘ื›ื•ื—ื•ืช ื”ื‘ืœืชื™ ื ืจืื™ื ืฉืœ ื”ื—ื™ื™ื ื”ืื ื•ืฉื™ื™ื.ื”ื™ื’ื™ื” ืจืคื•ืื” ืคืจื˜ื™ื - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ“š ื”ืคื™ืœื•ืกื•ืคื™ื”, ื”ืจืคื•ืื”, ื”ืžืฉืคื˜
ืฉืœื•ืฉื” ืœื•ื—ื•ืช ืžื•ื ื•ืžื ื˜ืœื™ื™ื ืฉื ืขืฉื• ืขื‘ื•ืจ ืื•ื ื™ื‘ืจืกื™ื˜ืช ื•ื™ื ื”. ื™ืฆื™ืจื•ืช ืืœื•, ืฉื”ื™ื• ืฉื ื•ื™ ื‘ืžื—ืœื•ืงืช ื‘ื–ืžื ืŸ ื‘ืฉืœ ื”ืกื™ืžื‘ื•ืœื™ื–ื ื”ื ื•ืขื– ืฉืœื”ืŸ, ื ื”ืจืกื• ื‘ืžื”ืœืš ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื™ื”, ื•ื ืฉืืจื• ื›ื™ื•ื ืจืง ื“ืจืš ืชืžื•ื ื•ืช.ื”ืจืคื•ืื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒฑ ื”ืชืงื•ื•ื” I ื•ืขื•ื“ II
ืฉืชื™ ื™ื™ืฆื•ื’ื™ื ื ื•ื’ืขื™ื ืœืœื‘ ืฉืœ ื”ืืžื”ื•ืช, ืฆื‘ื•ืขื™ื ื’ื ื‘ืชืงื•ื•ื” ื•ื’ื ื‘ืžืœื ื›ื•ืœื™ื”. ื”ืื™ืฉื” ื”ื”ืจื” ื”ื•ืคื›ืช ื›ืืŸ ืœืžื˜ืืคื•ืจื” ื—ื–ืงื” ืฉืœ ืžื—ื–ื•ืจ ื”ื—ื™ื™ื.ื”ืชืงื•ื•ื” II ืื• ื”ืชืงื•ื•ื” II - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ‘ฉ๐Ÿฆฐ ื”ื‘ืชื•ืœื•ืช
ืงื•ืžืคื•ื–ื™ืฆื™ื” ืžืขื’ืœื™ืช ื”ืžื™ื™ืฆื’ืช ื ืฉื™ื ืฆืขื™ืจื•ืช ื‘ืฉื™ื ื” ื—ืœื•ืžื™ืช, ื‘ื™ืŸ ื—ืœื•ื ืœืกื ืกื•ืืœื™ื•ืช. ื”ื™ืฆื™ืจื” ื—ื•ื’ื’ืช ืืช ื”ื ืฉื™ื•ืช ื‘ืฆื•ืจื•ืชื™ื” ื”ืจื‘ื•ืช.ื”ื‘ืชื•ืœื•ืช - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒบ ืฉื“ื” ืคืจื’ื™ื
ื ื•ืคื™ ื”ืคืจื—ื™ื ื”ืชื•ืกืกื™ื ื”ืœืœื• ืžื–ื›ื™ืจื™ื ืืช ืื”ื‘ืชื• ืฉืœ ืงืœื™ืžื˜ ืœื˜ื‘ืข, ืฉื”ื•ื ืžืฆื™ื’ ื‘ืขื“ื™ื ื•ืช ืจื‘ื” ื•ื‘ืคืœื˜ืช ืฆื‘ืขื™ื ืžื•ืืจืช.ืฉื“ื” ืคืจื’ื™ื - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒน ืฉื•ืฉื ื™ื ืžืชื—ืช ืœืขืฆื™ื
ื™ืฆื™ืจื” ืฉืงื˜ื” ื•ืžื“ื™ื˜ื˜ื™ื‘ื™ืช, ื›ืžืขื˜ ืื‘ืกื˜ืจืงื˜ื™ืช, ืฉื‘ื” ื”ืฆืžื—ื™ื™ื” ื”ื•ืคื›ืช ืœื“ื’ื ื“ืงื•ืจื˜ื™ื‘ื™ ื‘ืคื ื™ ืขืฆืžื•.ืฉื•ืฉื ื™ื ืžืชื—ืช ืœืขืฆื™ื - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒณ ื™ืขืจ ืฉืœ ืขืฆื™ ืœื™ื‘ื ื”
ืชืžื•ื ื” ืžืขืžื™ืงื” ืžืื•ื“, ืฉืžื–ืžื™ื ื” ืœื—ืœื•ื. ืงืœื™ืžื˜ ื—ื•ืงืจ ืฉื ืืช ืžืฉื—ืงื™ ื”ืื•ืจ ื•ืืช ื”ืื ื›ื™ื•ืช ืฉืœ ื”ื’ื–ืขื™ื ื‘ืขื“ื™ื ื•ืช.ื™ืขืจ ืฉืœ ื‘ืจื•ืฉื™ื - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ ื ื—ืฉื™ื ืžื™ื I ื•II
ืฉืชื™ ื™ืฆื™ืจื•ืช ื‘ื’ื•ื•ื ื™ื ืžื™ืžื™ื™ื ื•ืกื ืกื•ืืœื™ื™ื, ื”ืžื™ื™ืฆื’ื•ืช ื ืฉื™ื ืขื™ืจื•ืžื•ืช ืฆืคื•ืช ื‘ืžื™ื, ื‘ื™ืŸ ืžืกืชื•ืจื™ืŸ ืœื erotisme. ื”ืŸ ื ื—ืฉื‘ื•ืช ืœืื—ืช ื”ื™ืฆื™ืจื•ืช ื”ืžืขื•ื“ื ื•ืช ื•ื”ืžื‘ื•ืงืฉื•ืช ื‘ื™ื•ืชืจ ืฉืœ ืงืœื™ืžื˜.ื ื—ืฉื™ื ืžื™ื - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŒป ืฉืžืฉื•ืŸ
ืื—ื“ ืžื”ืฆื™ื•ืจื™ื ื”ื ื“ื™ืจื™ื ืฉื‘ื”ื ืงืœื™ืžื˜ ืžืชืขื›ื‘ ืขืœ ืคืจื— ืžื‘ื•ื“ื“. ื”ื™ืฆื™ืจื” ืžืฉืงืคืช ืืช ื”ื›ื•ื— ื•ื”ืคื’ื™ืขื•ืช ืฉืœ ื”ื—ื™ื™ื ื‘ืกื’ื ื•ืŸ ื›ืžืขื˜ ื˜ื‘ืขื™.ื”ื—ืžื ื™ื™ื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŽต ืžื•ื–ื™ืงื”
ืืœื’ื•ืจื™ื” ืฉืœ ื”ืืžื ื•ืช ื”ืžื•ื–ื™ืงืœื™ืช, ื”ืžืžื—ื™ืฉื” ืื™ืฉื” ื”ืžื—ื–ื™ืงื” ื‘ืœื™ืจื”, ืžื•ืงืคืช ื‘ื“ื•ื’ืžืื•ืช Ornamentales. ื”ื™ืฆื™ืจื” ืžื“ื’ื™ืžื” ืืช ื”ืื™ื“ื™ืืœ ืฉืœ ื”ืื—ื“ื•ืช ื‘ื™ืŸ ื”ืืžื ื•ื™ื•ืช ื”ื™ืงืจื” ืœืงืœื™ืžื˜.ืžื•ื–ื™ืงื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ–‹๏ธ ื“ื™ื•ืงืŸ ืฉืœ ื’ื‘ืจืช
ืชืžื•ื ื” ืžืกืชื•ืจื™ืช, ืฉื”ืชื’ืœืชื” ืžื—ื“ืฉ ืœืื—ืจ ืฉื ืขืœืžื” ื‘ืžืฉืš ืขืฉืจื•ืช ืฉื ื™ื. ื“ื™ื•ืงืŸ ื–ื”, ื”ืžืขื•ื“ืŸ, ืžื’ืœื ืืช ื›ืœ ื”ืžืกืชื•ืจื™ืŸ ื•ื”ืืœื’ื ื˜ื™ื•ืช ื”ื™ื™ื—ื•ื“ื™ื™ื ืœืืžืŸ.ื“ื™ื•ืงืŸ ืฉืœ ื’ื‘ืจืช - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

โš”๏ธ ืคืืœืก ืืชื ื”
ื™ื™ืฆื•ื’ ืขื•ืฆืžืชื™ ืฉืœ ืืœืช ื”ื—ื•ื›ืžื” ื•ื”ืžืœื—ืžื”. ื™ืฆื™ืจื” ื–ื• ืžืกืžื ืช ืืช ื”ืฉื‘ื™ืจื” ืฉืœ ืงืœื™ืžื˜ ืขื ื”ืืงื“ืžื™ื” ื•ืืช ื›ื ื™ืกืชื• ืœืžื•ื“ืจื ื™ื•ืช.ืคืืœืก ืืชื ื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ‘ง ื”ืœืŸ ืงืœื™ืžื˜
ื“ื™ื•ืงืŸ ืจืš ืฉืœ ืื—ื™ื™ื ื™ืชื•, ื ืขืฉื” ื‘ืขื“ื™ื ื•ืช ื•ื‘ืจื’ื™ืฉื•ืช. ื”ื•ื ืžื“ื’ื™ื ืืช ื”ื™ื›ื•ืœืช ืฉืœ ืงืœื™ืžื˜ ืœืชืคื•ืก ืืช ื”ืชืžื™ืžื•ืช ื•ืืช ื”ืคื ื™ืžื™ื•ืช.ื“ื™ื•ืงืŸ ืฉืœ ื”ืœืŸ - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐ŸŽผ ืคืจื™ื–ืช ื‘ื˜ื”ื•ื‘ืŸ
ื™ืฆื™ืจืช ืžื•ืคืช ื“ืงื•ืจื˜ื™ื‘ื™ืช ืžื•ื ื•ืžื ื˜ืœื™ืช, ืฉื ื•ืขื“ื” ืœืชืขืจื•ื›ื” ืฉืœ ื”ืกืงืฆื™ื” ื”ื•ื•ื™ื ืื™ืช ื‘ืฉื ืช 1902. ื”ื™ืฆื™ืจื” ืžื ืฆื™ื—ื” ืืช ื”ืกื™ืžืคื•ื ื™ื” ืžืก' 9 ืฉืœ ื‘ื˜ื”ื•ื‘ืŸ, ื•ืืช ื”ื—ื™ืคื•ืฉ ืื—ืจื™ ื™ื•ืคื™ ืžื•ื—ืœื˜.ืคืจื™ื–ืช ื‘ื˜ื”ื•ื‘ืŸ - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”


๐Ÿ–Œ๏ธ ืกื’ื ื•ืŸ ื•ื˜ื›ื ื™ืงื•ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜

ืกื’ื ื•ื ื• ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื ื™ืชืŸ ืœื–ื™ื”ื•ื™ ืžื™ื“. ื”ื•ื ืžืฉืœื‘ ืขื ืฉืœื™ื˜ื” ื ื“ื™ืจื” ืงื™ืฉื•ื˜ื™ื ื“ืงื•ืจื˜ื™ื‘ื™ื™ื, ืืช ื”ืกื ืกื•ืืœื™ื•ืช ืฉืœ ื”ื’ื•ืฃ ื”ื ืฉื™, ื• ืืช ื”ืกื™ืžื‘ื•ืœื™ืงื” ื”ืจื•ื—ื ื™ืช. ืจื—ื•ืง ืžื”ืงื ื•ื ื™ื ื”ืืงื“ืžื™ื™ื, ืงืœื™ืžื˜ ืžืžืฆื™ื ืฉืคื” ื—ื–ื•ืชื™ืช ืขืฆืžืื™ืช, ืฉืžืžืฉื™ื›ื” ืœื”ืขื ื™ืง ื”ืฉืจืื” ืœืืžื ื™ื ื•ืžืขืฆื‘ื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื.

๐ŸŽจ ืื™ืœื• ื˜ื›ื ื™ืงื•ืช ื”ืฉืชืžืฉ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜?

ืงืœื™ืžื˜ ืขื‘ื“ ื‘ืขื™ืงืจ ืขื ืฆื‘ืขื™ ืฉืžืŸ, ืืš ื”ื•ื ื—ื™ื“ืฉ ืขืœ ื™ื“ื™ ืฉื™ืœื•ื‘ ืฉืœ ื—ื•ืžืจื™ื ื ื“ื™ืจื™ื ื•ื™ืงืจื™ื ื‘ื™ืฆื™ืจื•ืชื™ื•. ื”ื•ื ื™ื“ื•ืข ื‘ืžื™ื•ื—ื“ ื‘ืฉื™ืžื•ืฉ ื‘ืขืœื™ื ืžื–ื”ื‘, ืื•ืชื ื”ื•ื ื™ื™ืฉื ื‘ืกื’ื ื•ืŸ ืฉืœ ืื™ื™ืงื•ื ื™ื ื‘ื™ื–ื ื˜ื™ื™ื, ืžื” ืฉื”ืขื ื™ืง ืœื™ืฆื™ืจื•ืชื™ื• ื–ื•ื”ืจ ื ืฆื—ื™ ื•ืงื“ื•ืฉ.

En parallรจle, Klimt rรฉalisait de nombreux dessins prรฉparatoires ร  la craie, au crayon ou ร  la plume, tรฉmoignant dโ€™une grande maรฎtrise du trait et dโ€™un sens aigu de la composition.ื”ืื‘ื™ืจ ื”ื–ื”ื‘ - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ’› ื”ืฆื‘ืขื™ื ื”ืื™ืงื•ื ื™ื™ื ืฉืœ ืงืœื™ืžื˜: ื”ืชืžืงื“ื•ืช ื‘ื›ื—ื•ืœ ื•ื‘ื–ื”ื‘

ืงืœื™ืžื˜ ื”ืฉืชืžืฉ ื‘ืฆื‘ืข ื›ืฉืคื” ืกื™ืžื‘ื•ืœื™ืช. ื”ื–ื”ื‘, ื”ื ื•ื›ื— ื‘ื›ืœ ื™ืฆื™ืจื•ืชื™ื• ืžื”ืชืงื•ืคื” ื”ืžื›ื•ื ื” "ื”ื–ื”ื•ื‘ื”", ืžืขื•ืจืจ ืืช ื”ืขื•ืฉืจ, ื”ื ืฆื— ื•ื”ืงื“ื•ืฉื”. ื”ื›ื—ื•ืœ, ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืžืงื•ืฉืจ ืœืžืกืชื•ืจื™ืŸ ื•ืœืขื•ืžืง, ืžืื–ืŸ ืืช ื”ื‘ืจืง ื”ื–ื” ื‘ื ื’ื™ืขื” ืฉืœ ืื™ื ื˜ืจื•ืกืคืงืฆื™ื”. ืฉื ื™ ื”ืฆื‘ืขื™ื ื”ืœืœื• ื”ืคื›ื• ืœื—ืชื™ืžื•ืช ื”ื•ื•ื™ื–ื•ืืœื™ื•ืช ืฉืœ ืกื’ื ื•ื ื•.

ื”ืื™ ืขืœ ืื’ื ืื˜ืจืกื™ื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ”ฅ ื”ืขื™ืจื•ื ื•ื”ืกื ืกื•ืืœื™ื•ืช ืืฆืœ ืงืœื™ืžื˜

Lโ€™une des caractรฉristiques les plus marquantes de lโ€™ล“uvre de Klimt est la place centrale accordรฉe au corps fรฉminin. Ses nus ne cherchent pas la provocation, mais cรฉlรจbrent une sensualitรฉ libre, assumรฉe, souvent liรฉe ร  la nature ou aux forces primordiales. Klimt reprรฉsentait la femme comme une entitรฉ puissante, parfois mystique, toujours magnรฉtique.ืžืฆืจื™ื ื”ืขืชื™ืงื” (ืื™ืกื™ืก) - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ•Š๏ธ ื”ืกื™ืžื‘ื•ืœื™ืงื” ื”ื“ืชื™ืช ื•ื”ืžื™ืชื™ ื‘ื™ืฆื™ืจื•ืชื™ื•

Klimt puisait abondamment dans les mythes antiques, les rรฉcits bibliques et les symboles universels pour nourrir son art. Ses tableaux sont riches en allรฉgories de la vie, de la mort, de lโ€™espoir, de la justice, et de lโ€™amour. Il ne peignait pas simplement des figures, mais des idรฉes, des รฉtats de lโ€™รขme, des transitions de lโ€™existence.ื™ื•ื“ื™ืช II - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”


๐ŸŽจ ื“ืžืขื•ืช ื–ื”ื‘ โ€“ ืคืจืฉื ื•ืช ืจื’ืฉื™ืช ืฉืœ ื”ื™ืงื•ื ืฉืœ ืงืœื™ืžื˜

ื”ืฆื™ื•ืจ ื”ื–ื” ืื™ื ื• ื™ืฆื™ืจื” ืžืงื•ืจื™ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜, ืืœื ืคืจืฉื ื•ืช ืขื›ืฉื•ื•ื™ืช ื”ืžื•ืฉืคืขืช ื‘ื—ื•ืคืฉื™ื•ืช ืžื”ืกื’ื ื•ืŸ ื”ืื™ืงื•ื ื™ ืฉืœื•. ื‘ืฉื ื“ืžืขื•ืช ื–ื”ื‘, ื™ืฆื™ืจื” ื–ื• ืžื›ื‘ื“ืช ืืช ื”ืื“ื•ืŸ ืฉืœ ื”ืกื™ืžื‘ื•ืœื™ื–ื ื”ืื•ืกื˜ืจื™ ืขืœ ื™ื“ื™ ืื™ืžื•ืฅ ื—ืœืง ืžื”ืงื•ื“ื™ื ื”ื•ื•ื™ื–ื•ืืœื™ื™ื ืฉืœื• ืชื•ืš ื›ื“ื™ ืžืชืŸ ืงืจื™ืื” ืจื’ืฉื™ืช ื•ืžื•ื“ืจื ื™ืช.

๐ŸŽจ ื“ืžืขื•ืช ื–ื”ื‘ โ€“ ืคืจืฉื ื•ืช ืจื’ืฉื™ืช ืฉืœ ื”ื™ืงื•ื ืฉืœ ืงืœื™ืžื˜

๐Ÿ›๏ธ ืื™ืคื” ืœืจืื•ืช ืืช ื”ื™ืฆื™ืจื•ืช ืฉืœ ืงืœื™ืžื˜ ื”ื™ื•ื?

ื”ืžื•ืจืฉืช ื”ืืžื ื•ืชื™ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื ืฉืžืจืช ื‘ืžื™ื“ื” ืจื‘ื” ื‘ืžื•ื–ื™ืื•ื ื™ื ื™ื•ืงืจืชื™ื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื. ื™ืฆื™ืจื•ืชื™ื•, ืฉืฉืžืจื• ืขืœื™ื”ืŸ ื‘ืงืคื™ื“ื”, ืžื•ืฉื›ื•ืช ืžื“ื™ ืฉื ื” ืžื™ืœื™ื•ื ื™ ืžื‘ืงืจื™ื. ื”ื ื” ื”ืžืงื•ืžื•ืช ื”ืขื™ืงืจื™ื™ื ืฉื‘ื”ื ื ื™ืชืŸ ืœื”ืขืจื™ืฅ ืืช ื”ื‘ื“ื™ื ื”ืžืงื•ืจื™ื™ื ืฉืœ ื”ืืžืŸ ื”ืกื™ืžื‘ื•ืœื™ืกื˜:

๐Ÿ‡ฆ๐Ÿ‡น ื‘ืื•ืกื˜ืจื™ื”: ื‘ื•ื•ื™ื ื”, ื”ืขื™ืจ ื”ืื”ื•ื‘ื” ืขืœื™ื•

ืžื•ื–ื™ืื•ืŸ ื‘ืœื•ื•ื“ืจ (ื’ืœืจื™ื” ืื•ืกื˜ืจื™ืช ื‘ืœื•ื•ื“ืจ)
ื›ืืŸ ื ืžืฆืืช ื”ืื•ืกืฃ ื”ื’ื“ื•ืœ ื‘ื™ื•ืชืจ ืฉืœ ืฆื™ื•ืจื™ื ืฉืœ ืงืœื™ืžื˜, ื›ื•ืœืœ ื”"ื”ื ืฉื™ืงื”". ื”ื‘ืœื•ื•ื“ืจ ืžืืจื— ื’ื ืืช ื™ื”ื•ื“ื™ืช, ื”ืชืงื•ื•ื” II, ืฉืœื•ืฉืช ื’ื™ืœืื™ ื”ืื™ืฉื”, ื•ืขื•ื“ ืจื‘ื™ื ืื—ืจื™ื ืžื™ืฆื™ืจื•ืช ื”ืžื•ืคืช. ื”ืžื•ื–ื™ืื•ืŸ ื”ื–ื” ื”ื•ื ื™ืขื“ ื—ื•ื‘ื” ืขื‘ื•ืจ ื—ื•ื‘ื‘ื™ ืงืœื™ืžื˜.

๐Ÿ›๏ธ ืื™ืคื” ืœืจืื•ืช ืืช ื”ื™ืฆื™ืจื•ืช ืฉืœ ืงืœื™ืžื˜ ื”ื™ื•ื?

ืžื•ื–ื™ืื•ืŸ ืœืื•ืคื•ืœื“
ืžืžื•ืงื ื‘-MuseumsQuartier, ื”ืžื•ื–ื™ืื•ืŸ ื”ื–ื” ืžืงื“ื™ืฉ ื—ืœืง ืžืื•ืกืฃ ืฉืœื• ืœื”ืกื™ืงืฆื™ื” ื”ื•ื•ื™ื ืื™ืช ื•ืžืฆื™ื’ ื™ืฆื™ืจื•ืช ืฉืœ ืงืœื™ืžื˜, ื›ื•ืœืœ ืืช ื”ืฉืจื˜ื•ื˜ื™ื ื•ืฆื™ื•ืจื™ ื”ื ื•ืฃ.

ื‘ื ื™ื™ืŸ ื”ืกืงืฆื™ื” (ืกืงืฆื™ื” ื•ื™ื ืจ)
ื”ื‘ื ื™ื™ืŸ ื”ืื™ืงื•ื ื™ ืฉืœ ื”ืืจื˜ ื ื•ื‘ื• ื‘ื•ื•ื™ื ื” ืžื›ื™ืœ ืืช ื”ืคืจื™ื–ืช ื‘ื˜ื”ื•ื‘ืŸ, ื™ืฆื™ืจืช ืžื•ืคืช ืžื•ื ื•ืžื ื˜ืœื™ืช ืฉืœ ืงืœื™ืžื˜, ืฉื ื•ืฆืจื” ื‘ืฉื ืช 1902. ื”ื—ื•ื•ื™ื” ืฉืœ ื™ืฆื™ืจื” ื–ื• ื‘ืžืงื•ื ื”ืžืงื•ืจื™ ืฉืœื” ื”ื™ื ื™ื™ื—ื•ื“ื™ืช.

๐Ÿ‡ฎ๐Ÿ‡ฑ ื‘ืฆืจืคืช: ืชืขืจื•ื›ื•ืช ื–ืžื ื™ื•ืช ื‘ืคืจื™ื–

ืงืœื™ืžื˜ ืื™ืŸ ืื•ืกืฃ ืงื‘ื•ืข ื‘ืคืจื™ื–, ืืš ืžืกืคืจ ืžื•ืกื“ื•ืช ื›ื‘ืจ ืืจื’ื ื• ืชืขืจื•ื›ื•ืช ืื™ื ื˜ืจืืงื˜ื™ื‘ื™ื•ืช ื’ื“ื•ืœื•ืช, ื‘ืžื™ื•ื—ื“ ื‘ืื˜ืœื™ื™ื” ื“ื” ืœื•ืžื™ื™ืจ, ืฉื ื™ืฆื™ืจื•ืชื™ื• ืžื•ืงืจื ื•ืช ื‘ืงื ื” ืžื™ื“ื” ื’ื“ื•ืœ. ืชืขืจื•ื›ื•ืช ื ื•ืกืคื•ืช ืขืฉื•ื™ื•ืช ืœื”ืชืงื™ื™ื ื‘ืžื•ื–ื™ืื•ืŸ ื“ื•ืจืกื™ ืื• ื‘ืคื˜ื™ื˜ ืคืœืืก ื‘ืžื”ืœืš ืฉื™ืชื•ืคื™ ืคืขื•ืœื” ื‘ื™ื ืœืื•ืžื™ื™ื.

๐Ÿ‡ฎ๐Ÿ‡ฑ ืงืœื™ืžื˜ ื‘ืฆืจืคืช: ืชืขืจื•ื›ื•ืช ื–ืžื ื™ื•ืช ื‘ืคืจื™ื–

๐Ÿ‡บ๐Ÿ‡ธ ื‘ื ื™ื• ื™ื•ืจืง ื•ื‘ืขืจื™ื ื’ื“ื•ืœื•ืช ืื—ืจื•ืช

ื’ืœืจื™ื” ื ื•ื™ื” ื ื™ื• ื™ื•ืจืง
ื”ื’ืœืจื™ื” ื”ืคืจื˜ื™ืช ื”ื–ื• ืžืฆื™ื’ื” ืืช ืื—ื“ ื”ืฆื™ื•ืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ืฉืœ ืงืœื™ืžื˜: ื“ื™ื•ืงืŸ ืฉืœ ืื“ืœื” ื‘ืœื•ืš-ื‘ืื•ืืจ I, ื”ื™ื“ื•ืข ื’ื ื‘ืฉื ื”ืื™ืฉื” ื‘ื–ื”ื‘. ื–ื”ื• ืื—ื“ ื”ืื•ืฆืจื•ืช ืฉืœ ื”ืืžื ื•ืช ื”ืžื•ื“ืจื ื™ืกื˜ื™ืช ื”ืžื•ืฆื’ืช ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช.

ืžื•ื–ื™ืื•ืŸ ืœืืžื ื•ืช ืžื•ื“ืจื ื™ืช ืฉืœ ื ื™ื• ื™ื•ืจืง (MoMA)
ื›ืžื” ืžื™ืฆื™ืจื•ืช ื”ื’ืจืคื™ืงื” ื•ื”ืฆื™ื•ืจื™ื ืฉืœ ืงืœื™ืžื˜ ืขืฉื•ื™ื•ืช ืœื”ื™ื•ืช ืžื•ืฆื’ื•ืช ื‘ืžืกื’ืจืช ืชืขืจื•ื›ื•ืช ื ื•ืฉืื™ื•ืช.

๐Ÿ‡บ๐Ÿ‡ธ ืงืœื™ืžื˜ ื‘ื ื™ื• ื™ื•ืจืง ื•ื‘ืขืจื™ื ื’ื“ื•ืœื•ืช ืื—ืจื•ืช

๐ŸŒ ืžืงื•ืžื•ืช ืžืจื›ื–ื™ื™ื ืื—ืจื™ื

ืžื•ื–ื™ืื•ื ื™ื ื‘ืฆื™ืจื™ืš, ืคืจืื’, ื˜ื•ืงื™ื•, ืžื™ืœืื ื•, ืœื•ื ื“ื•ืŸ, ื•ื›ืžื” ืื•ืกืคื™ื ืคืจื˜ื™ื™ื ืœืขื™ืชื™ื ืžืืจื—ื™ื ื™ืฆื™ืจื•ืช ืฉืœ ืงืœื™ืžื˜ ื‘ื”ืฉืืœื” ื–ืžื ื™ืช. ื™ืฆื™ืจื•ืชื™ื• ื’ื ืžืกืชื•ื‘ื‘ื•ืช ื‘ืžืกื’ืจืช ืชืขืจื•ื›ื•ืช ื ื•ื“ื“ื•ืช ื‘ืจื—ื‘ื™ ืื™ืจื•ืคื”, ืืกื™ื” ืื• ืืจืฆื•ืช ื”ื‘ืจื™ืช.


๐Ÿ’ฐ ื›ืžื” ืฉื•ื•ื” ืฆื™ื•ืจ ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜?

ื”ื™ืฆื™ืจื•ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื ื—ืฉื‘ื•ืช ืœืื—ืช ื”ื™ืงืจื•ืช ื•ื”ืžื‘ื•ืงืฉื•ืช ื‘ืฉื•ืง ื”ืืžื ื•ืช ื”ื‘ื™ื ืœืื•ืžื™. ื ื“ื™ืจื•ืชืŸ, ื”ืืกืชื˜ื™ืงื” ื”ื™ื™ื—ื•ื“ื™ืช ืฉืœื”ืŸ ื•ื”ื”ื™ืกื˜ื•ืจื™ื” ืฉืœื”ืŸ, ืฉืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืžืœืื” ื‘ืชื”ืคื•ื›ื•ืช (ืกื™ืœื•ืง, ื”ื—ื–ืจื•ืช, ื’ื™ืœื•ื™ื™ื), ืชื•ืจืžื•ืช ืœืขืจื›ืŸ ื”ืขืฆื•ื.

๐Ÿ† ื”ื™ืฆื™ืจื•ืช ื”ื™ืงืจื•ืช ื‘ื™ื•ืชืจ ืฉืœ ืงืœื™ืžื˜

ื”ื“ื™ื•ืงืŸ ืฉืœ ืื“ืœื” ื‘ืœื•ืš-ื‘ืื•ืืจ I, ื ืžื›ืจ ื‘ืฉื ืช 2006 ืœืืกืคืŸ ืคืจื˜ื™ ืขื‘ื•ืจ ื›135 ืžื™ืœื™ื•ืŸ ื“ื•ืœืจ, ื”ื™ื” ืื– ืื—ื“ ืžื”ืฆื™ื•ืจื™ื ื”ื™ืงืจื™ื ื‘ื™ื•ืชืจ ืฉื ืจื›ืฉื• ืื™ ืคืขื. ืžื—ื™ืจ ื–ื” ืžืฉืงืฃ ืœื ืจืง ืืช ื”ืื™ื›ื•ืช ื”ืืžื ื•ืชื™ืช ืฉืœ ื”ื™ืฆื™ืจื”, ืืœื ื’ื ืืช ื”ื”ื™ืกื˜ื•ืจื™ื” ื”ืกื•ืขืจืช ืฉืœื”, ื‘ืžื™ื•ื—ื“ ืืช ื”ืฉื‘ืชื” ืœืื—ืจ ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื™ื”.

๐Ÿ’ฐ ื›ืžื” ืฉื•ื•ื” ืฆื™ื•ืจ ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜?

D'autres tableaux de Klimt ont รฉgalement atteint des sommes records aux enchรจres. En 2023, La Dame ร  lโ€™รฉventailย a รฉtรฉ vendue chez Sothebyโ€™s ร  Londres pour plus de 85 millions dโ€™euros, confirmant lโ€™aura exceptionnelle de lโ€™artiste.ื”ืื™ืฉื” ืขื ื”ืžื ื™ืคื” - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

๐Ÿ“ˆ ืฉื•ืง ื”ื”ืขืชืงื•ืช ื•ื”ืžื”ื“ื•ืจื•ืช ื”ืžื•ื’ื‘ืœื•ืช

ื‘ืขืงื‘ื•ืช ื”ืขื ื™ื™ืŸ ื”ื’ื•ื‘ืจ ื‘ืงืœื™ืžื˜, ื”ื”ืขืชืงื•ืช ืฉืœ ื™ืฆื™ืจื•ืชื™ื• ื–ื•ื›ื•ืช ืœื”ืฆืœื—ื” ื’ื•ื‘ืจืช ื‘ืงืจื‘ ื”ืฆื™ื‘ื•ืจ ื”ืจื—ื‘. ื”ืŸ ืžืืคืฉืจื•ืช ืœื”ื—ื–ื™ืง ื‘ื‘ื™ืช ื—ืœืง ืžื”ื™ืงื•ื ื”ื•ื•ื™ื–ื•ืืœื™ ืฉืœ ืงืœื™ืžื˜, ื‘ืžื—ื™ืจื™ื ื ื’ื™ืฉื™ื. ื›ืžื• ื›ืŸ, ืžื•ืฆืขื•ืช ื‘ืฉื•ืง ื’ื ืžื”ื“ื•ืจื•ืช ืžื•ื’ื‘ืœื•ืช ืžื•ืกืžื›ื•ืช ืื• ื”ื“ืคืกื™ื ืขืœ ืงื ื‘ืก ื‘ืจืžื” ื’ื‘ื•ื”ื”, ื‘ืžื™ื•ื—ื“ ืขืœ ื™ื“ื™ ื’ืœืจื™ื•ืช ืžืชืžื—ื•ืช.

ื‘Alpha Reproduction, ืื ื• ืฉืžื™ื ื“ื’ืฉ ืขืœ ื”ืฆืขืช ืฉื›ืคื•ืœื™ื ื ืืžื ื™ื ื•ืžืขื•ื“ื ื™ื ืฉืœ ื”ืฆื™ื•ืจื™ื ืฉืœ ืงืœื™ืžื˜, ืฉื ืขืฉื• ื‘ื™ื“ ืื• ื‘ื”ื“ืคืกื” ืขื“ื™ื ื” ืขืœ ื‘ื“. ื‘ื™ืŸ ืื ื–ื” ื”ื ืฉื™ืงื”, ืขืฅ ื”ื—ื™ื™ื ืื• ื™ื”ื•ื“ื™ืช I, ื›ืœ ื™ืฆื™ืจื” ืžืฉื•ื›ืคืœืช ื‘ื›ื‘ื•ื“ ืœืžืงื•ืจ, ืขื ื“ื’ืฉ ืขืœ ืคืจื˜ื™ื ื•ื’ื™ืžื•ืจื™ื.


โœ๏ธ ืจื™ืฉื•ืžื™ื ื•ื™ืฆื™ืจื•ืช ืฉื ืžืฆืื•

ืื ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื™ื“ื•ืข ื‘ืขื™ืงืจ ื‘ื–ื›ื•ืช ื”ืฆื™ื•ืจื™ื ื”ืžื•ื–ื”ื‘ื™ื ืฉืœื• ื•ื‘ื–ื›ื•ืช ื“ื™ื•ืงื ืื•ืชื™ื• ื”ืžืคื•ืืจื™ื, ื”ื•ื ื”ื™ื” ื’ื ืžืื™ื™ืจ ื’ืื•ืŸ. ืขื‘ื•ื“ืชื• ื”ืžืงื“ื™ืžื”, ืกืงื™ืฆื•ืชื™ื• ื•ื™ืฆื™ืจื•ืชื™ื• ื”ื’ืจืคื™ื•ืช ื—ื•ืฉืคื•ืช ืจื’ื™ืฉื•ืช ื•ื“ื™ื•ืง ื™ื•ืฆืื™ ื“ื•ืคืŸ.

๐Ÿ–‹๏ธ ื”ืจื™ืฉื•ืžื™ื ื”ืžืงื“ื™ืžื™ื ืฉืœ ืงืœื™ืžื˜

ืงืœื™ืžื˜ ื™ื™ืฆืจ ืžืื•ืช ืกืงื™ืฆื•ืช, ืฉื ืขืฉื• ื‘ืขื˜, ื‘ืขื™ืคืจื•ืŸ ืื• ื‘ื’ื™ืจ, ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืขืœ ื ื™ื™ืจ ื—ื•ื ืื• ื‘ื–' . ืกืงื™ืฆื•ืช ืืœื• ืฉื™ืžืฉื• ืœื”ื›ื ืช ื”ืฆื™ื•ืจื™ื ื”ื’ื“ื•ืœื™ื ืฉืœื•, ืืš ื™ืฉ ืœื”ืŸ ืขืจืš ืืžื ื•ืชื™ ืขืฆืžืื™, ืฉื›ืŸ ื”ืŸ ืžืขื™ื“ื•ืช ืขืœ ืฉืœื™ื˜ื” ื‘ืžื—ื•ื•ื” ื•ืขืœ ืืœื’ื ื˜ื™ื•ืช ื”ืงื•.

ื”ืกืงื™ืฆื•ืช ืฉืœื•, ื‘ืขื™ืงืจ ืฉืœ ื“ืžื•ื™ื•ืช ื ืฉื™ื•ืช ืขื™ืจื•ืžื•ืช ืื• ืžื›ื•ืกื•ืช, ื—ื•ืงืจื•ืช ืืช ื”ื™ืฆื™ื‘ื”, ื”ืชื ื•ืขื” ื•ื”ืจื’ืฉ. ื”ืŸ ื’ื ื—ื•ืฉืคื•ืช ืืช ื”ืชื”ืœื™ืš ื”ื™ืฆื™ืจืชื™ ืฉืžืื—ื•ืจื™ ื”ืงื•ืžืคื•ื–ื™ืฆื™ื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ื™ื•ืชืจ ืฉืœื•. ื”ื™ื•ื, ืžืกืคืจ ืžื•ื–ื™ืื•ื ื™ื โ€” ื›ืžื• ืžื•ื–ื™ืื•ืŸ ืœืื•ืคื•ืœื“ ืื• ื”ืืœื‘ืจื˜ื™ื ื” ื‘ื•ื•ื™ื ื” โ€” ืฉื•ืžืจื™ื ืขืœ ืื•ืกืฃ ื—ืฉื•ื‘ ืฉืœ ื™ืฆื™ืจื•ืช ื’ืจืคื™ื•ืช ืืœื•.

๐Ÿ–ผ๏ธ ืชืžื•ื ื•ืช ืฉื ืขืœืžื• ื•ื ืžืฆืื•

Certaines ล“uvres de Klimt, longtemps considรฉrรฉes comme perdues, ont refait surface rรฉcemment, souvent dans des circonstances exceptionnelles. Lโ€™exemple le plus cรฉlรจbre est celui du Portrait dโ€™une dame, une toile volรฉe dans un musรฉe italien en 1997, et retrouvรฉe en 2019 cachรฉe dans un mur lors de travaux de rรฉnovation.ื“ื™ื•ืงืŸ ืฉืœ ื’ื‘ืจืช - ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ - ืฉื™ื—ื–ื•ืจื™ ืชืžื•ื ื•ืช ื•ืฆื™ื•ืจื™ื ื‘ืื™ื›ื•ืช ื’ื‘ื•ื”ื”

ื”ื’ื™ืœื•ื™ื™ื ื”ืžื—ื•ื“ืฉื™ื ื”ืœืœื• ืžืขื•ืจืจื™ื ื”ืชืœื”ื‘ื•ืช ื‘ืขื•ืœื ื”ืืžื ื•ืช, ืฉื›ืŸ ื›ืœ ื™ืฆื™ืจื” ืฉื ืžืฆืืช ืžืขืฉื™ืจื” ืืช ื”ื‘ื ืชื ื• ืืช ื”ืืžืŸ ื•ืืช ื”ื”ืชืคืชื—ื•ืช ื”ืกื’ื ื•ื ื™ืช ืฉืœื•.

๐ŸŽจ ืงืœื™ืžื˜ ื•ืื’ื•ืŸ ืฉื™ืœื”: ืงืฉืจ ืืžื ื•ืชื™

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื”ืฉืคื™ืข ื’ื ืขืœ ืื™ื’ื•ืŸ ืฉื™ืœื”, ืื—ื“ ื”ืืžื ื™ื ื”ืื•ืกื˜ืจื™ื™ื ื”ื‘ื•ืœื˜ื™ื ืฉืœ ื”ืžืื” ื”-20. ืงืœื™ืžื˜ ืชืžืš ื‘ืฉื™ืœื” ื”ืฆืขื™ืจ ืžืื– ืชื—ื™ืœืช ื“ืจื›ื•, ื›ืฉื”ืฆื™ื’ ืื•ืชื• ืœืืกืคื ื™ื ื•ืขื•ื“ื“ ืื•ืชื• ืœืคืชื— ืืช ื”ืกื’ื ื•ืŸ ื”ืื™ืฉื™ ืฉืœื•. ื—ื™ืœื•ืคื™ ื”ืจืขื™ื•ื ื•ืช ื”ืืžื ื•ืชื™ื™ื ื‘ื™ื ื™ื”ื, ืฉื”ื™ื• ืžืœืื™ื ื‘ื›ื‘ื•ื“ ื”ื“ื“ื™ ื•ื”ืขืจื›ื”, ื”ืฉืื™ืจื• ื—ื•ืชื ืขืœ ื”ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืืžื ื•ืช ื”ื•ื•ื™ื ืื™ืช.


๐Ÿฑ ืื ืงื“ื•ื˜ื•ืช: ืงืœื™ืžื˜ ื•ื”ื—ืชื•ืœื™ื

ืžืขื‘ืจ ืœืืžื ื•ืช ื”ืžืขื•ื“ื ืช ืฉืœื• ื•ืœืžื—ื•ื™ื‘ื•ืชื• ืœื”ืคืจื“ื” ื”ื•ื•ื™ื ืื™ืช, ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื”ื™ื” ืื“ื ืฉืžื•ืจ, ื‘ื•ื“ื“ ื•ื“ื™ืกืงืจื˜ื™, ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืžื•ืงืฃ ื‘โ€ฆ ื—ืชื•ืœื™ื. ื—ื‘ืจื™ื ืืœื• ื‘ืขืœื™ ืืจื‘ืข ื”ืจื’ืœื™ื™ื ืชืคืกื• ืžืงื•ื ืžื™ื•ื—ื“ ื‘ื—ื™ื™ ื”ื™ื•ืžื™ื•ื ืฉืœื•.

๐Ÿพ ืกื“ื ื” ืžืœืื” ื‘ื—ืชื•ืœื™ื

ืงืœื™ืžื˜ ืขื‘ื“ ื‘ืกื“ื ื” ื’ื“ื•ืœื” ื‘ื”ื™ื™ื˜ืฆื™ื ื’, ื‘ืคืจื‘ืจ ืฉืœ ื•ื™ื ื”. ืœืคื™ ื”ืขื“ื•ื™ื•ืช ืฉืœ ื‘ื ื™ ื–ืžื ื•, ื”ื•ื ื—ื™ ืฉื ืžื•ืงืฃ ื‘ืžืกืคืจ ื—ืชื•ืœื™ื ืจื‘ื™ื, ืื•ืชื ื”ื•ื ื”ืฉืื™ืจ ืœื”ืกืชื•ื‘ื‘ ื‘ื—ื•ืคืฉื™ื•ืช ื‘ื™ืŸ ื”ื‘ื“ื™ื, ื”ืฆื™ื•ืจื™ื ื•ื”ืจื™ื”ื•ื˜ ืฉืœื•. ื‘ืขืœื™ ื—ื™ื™ื ืืœื” ื”ื™ื• ื—ืœืง ืžื”ื™ืงื•ื ื”ืื™ื ื˜ื™ืžื™ ืฉืœื•, ื•ื”ื•ื ื”ืขื ื™ืง ืœื”ื ืชืฉื•ืžืช ืœื‘ ืžื™ื•ื—ื“ืช.

ื—ืœืงื ืืคื™ืœื• ืžืกืคืจื™ื ืฉื”ื•ื ืœืคืขืžื™ื ืฆื™ื™ืจ ืขื ื—ืชื•ืœ ืžื•ื ื— ืขืœ ื‘ืจื›ื™ื• ืื• ื™ืฉืŸ ืœื™ื“ ืจื’ืœื™ื•. ื ื•ื›ื—ื•ืชื ื ืจืืชื” ื›ืžืฉืจื” ืขืœื™ื• ืจื•ื’ืข ื•ื”ืฉืจืื”.

๐Ÿฑ ืื ืงื“ื•ื˜ื•ืช: ืงืœื™ืžื˜ ื•ื”ื—ืชื•ืœื™ื

๐Ÿงฃ ืกื’ื ื•ืŸ ื—ื™ื™ื ืคืฉื•ื˜, ืงืจื•ื‘ ืœื˜ื‘ืข

ืœืžืจ despite the growing fame, ืงืœื™ืžื˜ ืฉืžืจ ืขืœ ืื•ืจื— ื—ื™ื™ื ืฆื ื•ืข. ื”ื•ื ืœื‘ืฉ ืœืขื™ืชื™ื ืงืจื•ื‘ื•ืช ืฉืžืœื•ืช ืกื“ื ื ืืจื•ื›ื•ืช ืœืœื ืฆื•ื•ืืจื•ืŸ ืื• ื—ื’ื•ืจื”, ื•ื”ืขื“ื™ืฃ ืืช ื”ืฉืงื˜ ืฉืœ ื”ื›ืคืจ ืขืœ ืคื ื™ ื”ื”ืžื•ืœื” ื”ื—ื‘ืจืชื™ืช. ื”ืงืจื‘ื” ื”ื–ื• ืœื‘ืขืœื™ ื—ื™ื™ื, ืœื˜ื‘ืข ื•ืœืฆื•ืจืช ืคืจื™ืฉื” ืžืจืฆื•ืŸ ื”ืฉืคื™ืขื” ื™ืฉื™ืจื•ืช ืขืœ ื”ืจืื™ื™ื” ื”ืืžื ื•ืชื™ืช ืฉืœื• โ€” ื—ื•ืคืฉื™ืช, ืื™ื ื˜ื™ืžื™ืช ื•ืื™ืฉื™ืช ืžืื•ื“.


โšฐ๏ธ ืกื•ืฃ ื—ื™ื™ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื ืคื˜ืจ ื‘6 ื‘ืคื‘ืจื•ืืจ 1918, ื‘ื’ื™ืœ 55, ื‘ื•ื•ื™ื ื”, ื›ืชื•ืฆืื” ืžืฉื‘ืฅ ืžื•ื—ื™, ืฉื”ื•ื—ืžืจ ืขืœ ื™ื“ื™ ื–ื™ื”ื•ื ืฉื ื’ืจื ื‘ืžื”ืœืš ืžื’ืคืช ื”ืฉืคืขืช ื”ืกืคืจื“ื™ืช. ืžื•ืชื• ืžืชืจื—ืฉ ื‘ื”ืงืฉืจ ื”ื™ืกื˜ื•ืจื™ ืžื•ืคืจืข, ื‘ืกื•ืฃ ืžืœื—ืžืช ื”ืขื•ืœื ื”ืจืืฉื•ื ื”, ื›ืืฉืจ ื”ืื™ืžืคืจื™ื” ื”ืื•ืกื˜ืจื•-ื”ื•ื ื’ืจื™ืช ื—ื•ื•ื” ืืช ื™ืžื™ื” ื”ืื—ืจื•ื ื™ื.

ืžื•ื•ืช ืžื•ืงื“ื ื–ื” ื”ืคืกื™ืง ืืช ืขื‘ื•ื“ืชื• ืฉืœ ืืžืŸ ืฉื”ื™ื” ืขื“ื™ื™ืŸ ื‘ืฉื™ื ื”ื™ืฆื™ืจืชื™ื•ืช ืฉืœื•. ืžืกืคืจ ืงื ื‘ืก ื ืฉืืจื• ืœื ื’ืžื•ืจื™ื ื‘ืกื“ื ื” ืฉืœื•, ื‘ืžื™ื•ื—ื“ ื›ืžื” ืคื•ืจื˜ืจื˜ื™ื ื•ื”ืจื›ื‘ื•ืช ื“ืงื•ืจื˜ื™ื‘ื™ื•ืช.

๐Ÿชฆ ื”ื™ื›ืŸ ืฉื•ื›ื‘ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ?

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ืงื‘ื•ืจ ื‘ื‘ื™ืช ื”ืงื‘ืจื•ืช ืฉืœ ื”ื™ื™ื˜ืฆื™ื ื’, ื‘ื•ื•ื™ื ื”, ืœื ืจื—ื•ืง ืžื”ืžืงื•ื ืฉื‘ื• ื—ื™ ื•ื™ืฆืจ. ืงื‘ืจื• ื”ื•ื ื›ื™ื•ื ืžืงื•ื ื–ื™ื›ืจื•ืŸ ืขื‘ื•ืจ ืจื‘ื™ื ืžืื•ื”ื‘ื™ ื”ืืžื ื•ืช, ืฉื‘ืื• ืœื”ื•ืงื™ืจ ืืช ื–ื›ืจื• ืฉืœ ืžื™ ืฉื”ืฉืื™ืจ ืืช ื—ื•ืชืžื• ืขืœ ื”ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืฆื™ื•ืจ ื”ืžื•ื“ืจื ื™.


๐Ÿ–ผ๏ธ ืงืœื™ืžื˜ ื‘ื”ืขืชืงื”

ืœืžื” ืœื‘ื—ื•ืจ ื‘ืฉื›ืคื•ืœ ืฉืœ ืงืœื™ืžื˜?

ื”ื™ืฆื™ืจื•ืช ื”ืžืงื•ืจื™ื•ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื”ืŸ ื ื“ื™ืจื•ืช, ื™ืงืจื•ืช, ื•ืžื•ืฆื’ื•ืช ื‘ืžื•ื–ื™ืื•ื ื™ื ื’ื“ื•ืœื™ื ืื• ื‘ืื•ืกืคื™ื ืคืจื˜ื™ื™ื. ืœืžื–ืœื ื•, ื”ื™ื•ื ืืคืฉืจ ืœื”ื—ื–ื™ืง ื‘ืฉื›ืคื•ืœ ื ืืžืŸ ืฉืœ ื”ืฆื™ื•ืจื™ื ื”ืžืคื•ืจืกืžื™ื ื‘ื™ื•ืชืจ ืฉืœื•, ื›ื“ื™ ืœื”ื›ื ื™ืก ืืช ื”ืืœื’ื ื˜ื™ื•ืช ื”ื•ื•ื™ื ืื™ืช ื•ืืช ื”ืงืกื ื”ืžื•ื–ื”ื‘ ืฉืœ ืงืœื™ืžื˜ ืœื—ืœืœ ื”ืคื ื™ืžื™ ืฉืœื›ื.

ืœื‘ื—ื•ืจ ื”ืขืชืง ืฉืœ ืงืœื™ืžื˜, ื–ื”ื•:

ืœื”ืขื ื™ืง ืœืขืฆืžืš ื™ืฆื™ืจื” ื ืฆื—ื™ืช ืœื”ืขืจืฆื” ื›ืœ ื™ื•ื.

ืœื™ืฆื•ืจ ืื•ื•ื™ืจื” ืืžื ื•ืชื™ืช, ืžืขื•ื“ื ืช ื•ืžืขื•ืจืจืช ื”ืฉืจืื” ื‘ืกืœื•ืŸ, ื‘ืžืฉืจื“ ืื• ื‘ื—ื“ืจ.

ืœื”ื•ืงื™ืจ ืชื•ื“ื” ืœืืžืŸ ื’ื“ื•ืœ ืžื‘ืœื™ ืœืคื’ื•ืข ื‘ืชืงืฆื™ื‘ ืฉืœื•.

ืœืžื” ืœื‘ื—ื•ืจ ื‘ืฉื›ืคื•ืœ ืฉืœ ืงืœื™ืžื˜?

ื”ืžืœืฆื•ืช ืฉืœื ื• ื‘-Alpha Reproduction

ื‘Alpha Reproduction, ืื ื• ืžืฆื™ืขื™ื ืœื›ื ืžื‘ื—ืจ ืžื•ืงืคื“ ืฉืœ ืฉื›ืคื•ืœื™ื ืฉืœ ื™ืฆื™ืจื•ืช ืื™ื™ืงื•ื ื™ื•ืช ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜, ืฉื ืขืฉื• ื‘ื™ื“. ื”ืฉื›ืคื•ืœื™ื ืฉืœื ื• ืžื›ื‘ื“ื™ื ืืช ื”ืคืจื˜ื™ื ื”ืงื˜ื ื™ื ื‘ื™ื•ืชืจ: ืงื•ืžืคื•ื–ื™ืฆื™ื”, ืฆื‘ืขื™ื, ืืคืงื˜ื™ ืžืจืงื โ€” ืขื“ ืœื‘ืจืง ื”ื–ื”ื‘ ืฉืžืืคื™ื™ืŸ ืืช ื”ืกื’ื ื•ืŸ ืฉืœื•.

ื‘ื™ืŸ ื”ืžื•ืฆืจื™ื ื”ื ืžื›ืจื™ื ื‘ื™ื•ืชืจ ืฉืœื ื• :

ื”ื ืฉื™ืงื” โ€“ ืื™ื“ื™ืืœื™ ืœืงื™ืฉื•ื˜ ืจื•ืžื ื˜ื™ ื•ืกื™ืžื‘ื•ืœื™.

ืขืฅ ื”ื—ื™ื™ื โ€“ ืžื•ืฉืœื ืขื‘ื•ืจ ืคื ื™ื ื–ืŸ, ืขืฉื™ืจ ื‘ืžืฉืžืขื•ืช.

ื™ื•ื“ื™ืช I โ€“ ื™ืฆื™ืจื” ื ื•ืขื–ืช, ืžื’ื ื˜ื™ืช, ืฉืžื•ืฉื›ืช ืืช ื›ืœ ื”ืขื™ื ื™ื™ื.

ื ื•ืคื™ ืงืœื™ืžื˜ โ€“ ืœืžื’ืข ืฉืœ ื˜ื‘ืข ืขื“ื™ืŸ ื•ื“ืงื•ืจื˜ื™ื‘ื™.

ืื™ืš ืœื‘ื—ื•ืจ ื™ืฆื™ืจื” ืœืขื™ืฆื•ื‘ ื”ืคื ื™ื ืฉืœืš

ื”ื ื” ื›ืžื” ื˜ื™ืคื™ื ืœื‘ื—ื™ืจื” ื ื›ื•ื ื” ืฉืœ ื”ืฉื›ืคื•ืœ ืฉืœืš:

๐ŸŽฏ ื‘ื”ืชืื ืœืกื’ื ื•ืŸ ื”ืขื™ืฆื•ื‘ ืฉืœื›ื
ื‘ื—ืจื• ื‘ื”ื ืฉื™ืงื” ืื• ื‘ื“ื™ื•ืงืŸ ืฉืœ ืื“ืœ ื‘ืœื•ืš-ื‘ืื•ืืจ ื‘ืขื™ืฆื•ื‘ ืคื ื™ื ืืœื’ื ื˜ื™, ืืจื˜ ื“ืงื• ืื• ืžื•ื“ืจื ื™. ื‘ื—ืจื• ื‘ืฉื“ื” ืคืจื’ื™ื ืื• ื‘ื•ืจื“ื™ื ืžืชื—ืช ืœืขืฆื™ื ืœืื•ื•ื™ืจื” ืจื›ื” ื•ื˜ื‘ืขื™ืช.

๐Ÿ“ ืขืœ ืคื™ ื”ืฉื˜ื— ื”ื–ืžื™ืŸ
ืคื•ืจืžื˜ื™ื ืื ื›ื™ื™ื ื›ืžื• ื™ื”ื•ื“ื™ืช I ืื• ื”ื‘ืชื•ืœื” ืžืชืื™ืžื™ื ืœืงื™ืจื•ืช ืฆืจื™ื. ืชืžื•ื ื•ืช ืคื ื•ืจืžื™ื•ืช, ื›ืžื• ืขืฅ ื”ื—ื™ื™ื ืื• ืคืจื™ื–ืช ื‘ื˜ื”ื•ื‘ืŸ, ืžื•ืฉืœืžื•ืช ืžืขืœ ืกืคื” ืื• ืžื™ื˜ื”.

๐Ÿ–ผ๏ธ ืขื ืื• ื‘ืœื™ ืžืกื’ืจืช?
ืื ื• ืžืฆื™ืขื™ื ืืช ื”ื‘ื“ื™ื ืฉืœื ื• ืขื ืื• ื‘ืœื™ ืžืกื’ืจืช. ืžืกื’ืจืช ื–ื”ื•ื‘ื” ืื• ืฉื—ื•ืจื” ืžื“ื’ื™ืฉื” ื‘ืžื™ื•ื—ื“ ืืช ื”ืกื’ื ื•ืŸ ื”ืงื™ืฉื•ื˜ื™ ืฉืœ ืงืœื™ืžื˜.

๐Ÿ–ผ๏ธ ืงืœื™ืžื˜ ื‘ื”ืขืชืงื”

๐Ÿ“Œ ืžืกืงื ื”

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ืžืฉืื™ืจ ืžืื—ื•ืจื™ื• ื™ืฆื™ืจื” ืฉืœ ืขื•ืฉืจ ื‘ืœืชื™ ื ื“ืœื”, ื‘ืฆื•ืžืช ืฉืœ ื—ืœื•ื, ืžืกืชื•ืจื™ืŸ ื•ื—ื•ืฉื ื™ื•ืช. ื”ืกื’ื ื•ืŸ ืฉืœื•, ื”ืžื•ื›ืจ ืžื™ื“, ืกื™ืžืŸ ืชืคื ื™ืช ื‘ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ื”ืืžื ื•ืช ื”ืžื•ื“ืจื ื™ืช ื•ืžืžืฉื™ืš ืœืจื’ืฉ ื•ืœื”ืฉืจืื” ื™ื•ืชืจ ืžืžืื” ืฉื ื” ืœืื—ืจ ืžื•ืชื•.

ื‘ื™ืŸ ืื ื–ื” ื“ืจืš ื“ื™ื•ืงื ืื•ืชื™ื• ื”ืžื•ื–ื”ื‘ื™ื, ื”ืจื›ื‘ื™ื ื”ืกื™ืžื‘ื•ืœื™ื™ื ืื• ื”ื ื•ืคื™ื ื”ืคื•ืื˜ื™ื™ื, ืงืœื™ืžื˜ ืžื–ืžื™ืŸ ืื•ืชื ื• ืœื”ืชื‘ื•ื ืŸ ื‘ื™ื•ืคื™ ื‘ื›ืœ ืฆื•ืจื•ืชื™ื•. ื“ืจืš ื”ืฉื›ืคื•ืœ ืฉืœ ื™ืฆื™ืจื•ืชื™ื•, ืืคืฉืจ ืœื”ืืจื™ืš ืืช ื”ืžื•ืจืฉืช ื”ื•ื•ื™ื–ื•ืืœื™ืช ื”ื–ื•, ืœื”ืคื•ืš ืื•ืชื” ืœื ื’ื™ืฉื” ื•ื—ื™ื” ื‘ื—ื™ื™ ื”ื™ื•ืžื™ื•ื ืฉืœื ื•.

ื‘Alpha Reproduction, ืื ื• ื’ืื™ื ืœื”ื—ื™ื•ืช ืืช ื”ืืžื ื•ืช ื™ื•ืฆืืช ื”ื“ื•ืคืŸ ื”ื–ื• ื•ืœืืคืฉืจ ืœื›ื ืœื”ืคื•ืš ืืช ื”ืงื™ืจื•ืช ืฉืœื›ื ืœื’ืœืจื™ื•ืช ื‘ื”ืฉืจืืช ืื—ื“ ืžื”ืฆื™ื™ืจื™ื ื”ื’ื“ื•ืœื™ื ื‘ื™ื•ืชืจ ื‘ื”ื™ืกื˜ื•ืจื™ื”.


โ“ ืฉืืœื•ืช ื ืคื•ืฆื•ืช โ€“ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื•ืืœืคื ืจืคืจื•ื“ื•ืงืฆื™ื”

ืžื™ ื”ื™ื” ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ ื‘ื›ืžื” ืžื™ืœื™ื?

ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜ (1862โ€“1918) ื”ื™ื” ืฆื™ื™ืจ ืื•ืกื˜ืจื™ ืžืจื›ื–ื™ ื‘ืกื™ืžื‘ื•ืœื™ื–ื ื•ืžื™ื™ืกื“ ื”ืกืงืฆื™ื” ื”ื•ื•ื™ื ืื™ืช. ื”ื•ื ื™ื“ื•ืข ื‘ื–ื›ื•ืช ื“ื™ื•ืงื ืื•ืช ื”ื ืฉื™ื ืฉืœื•, ื”ื–ื”ื‘ ื•ื”ืงื•ืžืคื•ื–ื™ืฆื™ื•ืช ื”ื“ืงื•ืจื˜ื™ื‘ื™ื•ืช ืฉืœื•.

ืžื”ื• ื”ื™ืฆื™ืจื” ื”ืžืคื•ืจืกืžืช ื‘ื™ื•ืชืจ ืฉืœ ื’ื•ืกื˜ื‘ ืงืœื™ืžื˜?

ื”ื ืฉื™ืงื” ื”ื•ื ืœืœื ืกืคืง ื”ืฆื™ื•ืจ ื”ืžืคื•ืจืกื ื‘ื™ื•ืชืจ ืฉืœื•, ืžื•ื›ืจ ื‘ืจื—ื‘ื™ ื”ืขื•ืœื ื‘ื–ื›ื•ืช ื™ื•ืคื™ื• ื”ืžื•ื–ื”ื‘ ื•ื”ืกื ืกื•ืืœื™ื•ืช ืฉืœื•.

ืื™ืคื” ืžื•ืฆื’ื•ืช ื”ื™ืฆื™ืจื•ืช ื”ืžืงื•ืจื™ื•ืช ืฉืœื•?

ื‘ืขื™ืงืจ ื‘ื•ื™ื ื” (ื‘ืœื•ื•ื“ืจ, ืžื•ื–ื™ืื•ืŸ ืœืื•ืคื•ืœื“), ืืš ื’ื ื‘ื ื™ื• ื™ื•ืจืง (ื ื•ื™ื” ื’ืœืจื™ื”) ื•ื‘ื›ืžื” ืžื•ื–ื™ืื•ื ื™ื ืื™ืจื•ืคื™ื™ื. ื—ืœืงื ื‘ืื•ืกืคื™ื ืคืจื˜ื™ื™ื.

ื”ืื ืืคืฉืจ ืœืงื ื•ืช ืชืžื•ื ื” ืžืงื•ืจื™ืช ืฉืœ ืงืœื™ืžื˜?

ืœื, ื”ืžืงื•ืจื™ื™ื ืžืื•ื“ ื ื“ื™ืจื™ื ื•ืœื ื ื’ื™ืฉื™ื ืœืฆื™ื‘ื•ืจ ื”ืจื—ื‘. ืขื ื–ืืช, ืฉื›ืคื•ืœื™ื ื ืืžื ื™ื ืžืืคืฉืจื™ื ืœื™ื”ื ื•ืช ืžื”ื ื‘ื‘ื™ืช.

ืžื” ืžืฆื™ืขื” Alpha Reproduction ?

ืื ื• ืžืฆื™ืขื™ื ืฉื›ืคื•ืœื™ื ื‘ืื™ื›ื•ืช ืžื•ื–ื™ืื•ืŸ, ืขืฉื•ื™ื™ื ื‘ื™ื“ ืื• ืžื•ื“ืคืกื™ื ืขืœ ืงื ื‘ืก, ื‘ื”ืฉืจืืช ื”ื™ืฆื™ืจื•ืช ื”ืžืคื•ืจืกืžื•ืช ื‘ื™ื•ืชืจ ืฉืœ ืงืœื™ืžื˜ ื•ืžื masters ืื—ืจื™ื.

ืื™ืš ืœื‘ื—ื•ืจ ื™ืฆื™ืจื” ืžืชืื™ืžื” ืœื—ืœืœ ื”ืคื ื™ืžื™ ืฉืœืš?

ืื ื• ืžืžืœื™ืฆื™ื ืœื›ื ื‘ื”ืชืื ืœืกื’ื ื•ืŸ ืฉืœื›ื, ืœื—ืœืœ ื”ื–ืžื™ืŸ ื•ืœืื•ื•ื™ืจื” ื”ืจืฆื•ื™ื”. ื”ืฉื›ืคื•ืœื™ื ืฉืœื ื• ืžืฉืชืœื‘ื™ื ื”ื™ื˜ื‘ ื‘ืขื™ืฆื•ื‘ื™ื ืงืœืืกื™ื™ื ื›ืžื• ื’ื ื‘ืขื™ืฆื•ื‘ื™ื ืขื›ืฉื•ื•ื™ื™ื.

ื”ืื ื”ื”ืขืชืงื•ืช ืžืžื•ืกื’ืจื•ืช?

ื–ื” ืœื‘ื—ื™ืจื”. ืื ื• ืžืฆื™ืขื™ื ืืคืฉืจื•ื™ื•ืช ืขื ืื• ื‘ืœื™ ืžืกื’ืจืช, ืขื ื’ื™ืžื•ืจื™ื ืฉื•ื ื™ื ื›ื“ื™ ืœื”ืชืื™ื ืœื›ืœ ื”ืคื ื™ื.

ื—ื–ืจื” ืœื‘ืœื•ื’

ื”ืฉืืจ ืชื’ื•ื‘ื”

๐Ÿ–Œ๏ธ ื•ืžื” ืื ืชื›ื ื™ืกื• ืืช ื”ืืžื ื•ืช ืœื—ื™ื™ ื”ื™ื•ืžื™ื•ื ืฉืœื›ื?

ื›ืœ ื”ืฆื™ื•ืจื™ื ื”ืžื•ื–ื›ืจื™ื ื‘ืžืืžืจ ื–ื” ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช ืžืฉื•ื›ืคืœื™ื ื‘ื™ื“, ื‘ื–ื”ื™ืจื•ืช ื•ื‘ื ืืžื ื•ืช, ื›ื“ื™ ืœื”ืขืฆื™ื ืืช ื”ืคื ื™ื ืฉืœื›ื.

๐Ÿ‘‰ ืœื”ื–ืžื™ืŸ ืืช ื”ืฉื›ืคื•ืœ ื”ืžื•ืชืื ืื™ืฉื™ืช ืฉืœืš